Das darf man nur als Erwachsener

Haviland Morris delivers a memorable performance as Caroline Mulford in the iconic 1984 teen comedy film "Sixteen Candles," directed by John Hughes. As the popular and shallow sister of the protagonist, Samantha Baker (Molly Ringwald), Morris infuses Caroline with a blend of self-centeredness and vulnerability that makes her more than just a one-dimensional character. Her portrayal of Caroline's obsession with her wedding day and her interactions with her quirky family and soon-to-be husband, played by James Spader, offer a humorous yet poignant commentary on the superficiality of high school social hierarchies. Morris's performance is highlighted by her ability to embody the era's teen archetypes while still conveying the underlying insecurities that plague Caroline, making her a relatable figure despite her character's flaws. Her scenes are some of the most quotable and comedic moments in the film, contributing to the enduring charm and cultural impact of "Sixteen Candles."

Anthony Michael Hall's portrayal of the endearing geek affectionately known as "The Geek" (Ted) in the 1984 classic teen comedy "Sixteen Candles" is a standout performance that perfectly encapsulates the awkwardness and earnestness of adolescence. Hall infuses Ted with an infectious blend of nervous energy and an unwavering, albeit misguided, confidence that makes his character both comedic and sympathetic. His interactions with Molly Ringwald's Samantha illuminate the universal theme of unrequited love, as Ted's relentless optimism in the face of rejection resonates with anyone who has experienced the tumultuous emotions of teenage infatuation. Hall's performance is characterized by impeccable comedic timing and a physicality that accentuates Ted's social awkwardness, contributing to some of the film's most memorable and humorous moments. His ability to balance the character's overeager demeanor with genuine tenderness ensures that Ted remains a lovable and iconic figure in the pantheon of '80s teen cinema, solidifying Hall's reputation as a cornerstone of the genre.