"ULÍA #3" is a cinematic exploration that transcends the boundaries of political demarcations and delves into the realm of geographical features. The film's premise is built around the idea that the limits of the landscape remain constant, unaffected by the ever-changing political borders. This constant is beautifully depicted through the visual contrast of the sea meeting the sky, and the rugged mountain ranges that seem to slice through the vast expanse above. This serves as a poignant reminder that regardless of one's geographical location, these natural boundaries follow an unchanging pattern.
The film takes this concept a step further by proposing a unique approach to reconstruct the image of the landscape. It employs a technique akin to a landscape collage, where space and time are combined from the moment the image is captured. This approach is revolutionary in the sense that it breaks away from the traditional post-production reconstruction method. Instead, it relies heavily on the immediacy of the analogue image, thereby placing significant emphasis on the raw, unadulterated capture of the moment. This technique not only adds an element of authenticity to the film but also challenges the conventional norms of filmmaking.
The use of analogue imagery is the cornerstone of "ULÍA #3". It plays a pivotal role in the film, serving as a testament to the power of capturing moments as they unfold. This method, as described by Laura Moreno Bueno, shifts the focus from the subsequent construction of images to their initial capture. It underscores the importance of the present moment, imbuing the film with a sense of immediacy that is both captivating and thought-provoking. This cinematic endeavor, therefore, stands as a testament to the beauty of the natural world and the limitless potential of filmmaking techniques.