"ULÍA #2" is a cinematic exploration that delves into the timeless and borderless nature of landscapes, emphasizing the idea that geographical features, not political boundaries, define the limits of the world we see. The movie presents a fascinating viewpoint that the boundaries between sea and sky, or the undulating silhouettes of mountains against the heavens, remain consistent regardless of where we are on the planet.
The film's unique approach lies in its utilization of these natural boundaries to create a landscape collage, effectively piecing together fragments of visuals from various locations. This process of reconstruction aims to redefine our perception of landscapes by blending space and time, achieved through the moment of image capture, rather than post-production manipulation. This is where the film's commitment to the integrity of the analogue image becomes clear. By using analogue imagery, the filmmakers ensure that the 'capture' is as authentic as possible, preserving the raw and unaltered beauty of the natural world.
The emphasis on the analogue image in "ULÍA #2" is not merely aesthetic; it serves as a poignant reminder of the value of authenticity in an age where digital manipulation is commonplace. The film encourages viewers to appreciate the natural world as it is, without the need for embellishment or alteration. This film is a must-watch for those who appreciate the beauty of nature and the art of filmmaking, as it offers a fresh perspective on how we perceive and portray landscapes on screen.