Voicemails for Isabelle

As soon as Deutch and Robinson share the frame, the atavistic desire to see these two together overrides all logic systems. And as the duo inevitably fall for one another, their open wounds healing just a little more with each bus tour they take and eminently nommable-looking pud they share — his sensitivity and her strength pulling them both out of the dark, allowing them to let down their walls — the film opens up, goes deep, and becomes something entirely its own. Be prepared for the best “eating something and instantly being taken back to a very poignant childhood memory” scene this side of Ratatouille, and an exquisitely deployed needle drop of deep-cut Taylor Swift ballad 'Marjorie' that keys into the film's emotional frequency almost preternaturally well.