Evangelion: 3.0+1.01 Thrice Upon a Time

Megumi Hayashibara reprises her iconic role as Rei Ayanami and also takes on the voice of Yui Ikari in "Evangelion: 3.0+1.0 Thrice Upon a Time," the final installment of the Rebuild of Evangelion series. Her performance is a testament to her versatility and depth as a voice actress. Hayashibara captures the subtle nuances and evolution of Rei's character with a delicate balance of detachment and emerging warmth, reflecting Rei's growth since the previous films. In her portrayal of Yui Ikari, she brings a gentle and nurturing quality that contrasts starkly with Rei, yet subtly weaves in undertones that hint at the complex relationship between mother and son, Shinji Ikari. Her voice work is pivotal in conveying the emotional gravity and introspective tone of the film, as characters confront their pasts and identities. Hayashibara's performance is not just a recitation of lines but a profound embodiment of the characters' inner worlds, contributing significantly to the film's poignant narrative and the satisfying conclusion to the series.

Kotono Mitsuishi reprises her iconic role as Misato Katsuragi in "Evangelion: 3.0+1.0 Thrice Upon a Time," bringing a depth of emotion and experience that has evolved alongside the character over the franchise's storied history. In this final installment of the Rebuild of Evangelion series, Mitsuishi delivers a nuanced performance that captures the complexities of Misato's journey. Her voice work is both powerful and subtle, conveying the weight of Misato's leadership and the burden of her past decisions, while also highlighting her resilience and determination to forge a hopeful future. Mitsuishi's interactions with the rest of the cast are dynamic, showcasing her ability to adapt to each scene's demands, whether it be the strong, decisive Misato in command situations or the softer, more vulnerable side she reveals in private moments. The emotional range and maturity Mitsuishi brings to the role underscore the character's development and contribute significantly to the film's poignant and reflective tone, marking a fitting conclusion to Misato's arc in the Evangelion saga.