Bill Murray geht wieder mal unter die Geister. Aber dieses Mal sind es Drei gegen Einen.
Frank Cross ist der jüngste Fernsehchef Amerikas. Er ist karrieresüchtig und gefühlskalt. Für ihn zählen nur Einschaltquoten – und die will er Weihnachten auf die Spitze treiben. Er plant eine Blut- und Action-Horrorshow, wie sie noch keiner kennt. Die Zuschauer werden total begeistert sein, so spekuliert der Einschaltquoten-Technokrat. Die Einnahmen aus der Werbung steigen schnell ins Astronomische. Doch bevor er sein Weihnachtsgeschenk präsentieren kann, geschieht Außergewöhnliches Ein ehemaliger Bekannter, der seit sieben Jahren verstorben ist, taucht plötzlich in seinem Büro auf. Der Geist kündigt ihm Besuch von drei weiteren Geistern an. Kein angenehmer Besuch für Frank, denn diese drei haben eine gespenstische Radikalkur mit dem egoistischen Menschenfeind Frank vor.
Gesamte Besetzung von Die Geister, die ich rief...
Bill Murray delivers a characteristically idiosyncratic and darkly comedic performance as Francis Cross in the 1988 holiday film "Scrooged," a modern retelling of Charles Dickens' "A Christmas Carol." Murray's portrayal of the cynical and miserly television executive, who schedules inhumane hours for his staff and heartlessly fires an employee on Christmas Eve, perfectly captures the essence of Dickens' Ebenezer Scrooge with a contemporary, acerbic twist. His transformation from a callous, selfish workaholic to a man redeemed by the spirits of Christmas Past, Present, and Yet to Come is both humorous and poignant, as Murray's comedic timing and dramatic depth bring to life the character's journey from isolation to a rediscovery of his humanity. Murray's Cross is both infuriating and endearing, providing audiences with a memorable depiction of the iconic character that resonates with the timeless themes of redemption and the true meaning of the holiday season.
Karen Allen
Claire Phillips
Karen Allen delivered a memorable performance as Claire Phillips in the 1988 modern retelling of Charles Dickens' "A Christmas Carol," titled "Scrooged." As the love interest of the cynical and workaholic TV executive Frank Cross, played by Bill Murray, Allen brought a warmth and depth to the role that served as a poignant counterbalance to Murray's comedic misanthropy. Her portrayal of Claire, a caring and compassionate woman who works at a homeless shelter, exudes sincerity and tenderness, effectively humanizing the jaded protagonist. Allen's performance is highlighted by her ability to convey genuine kindness and the capacity for forgiveness, which ultimately plays a crucial role in Frank's redemptive arc. Her scenes radiate with a sense of nostalgia and lost love, and her chemistry with Murray is undeniable, providing the film with some of its most heartfelt and emotionally resonant moments. Karen Allen's Claire is not merely a passive character; she is the embodiment of the transformative power of love and charity that lies at the heart of the Christmas spirit, making her an integral part of the narrative's message of hope and redemption.
John Glover
Bryce Cummings
John Glover delivers a deliciously devious performance as the opportunistic Bryce Cummings in the darkly comedic film "Scrooged," a modern retelling of Charles Dickens' "A Christmas Carol." Glover's portrayal of the slimy corporate climber is both chilling and humorous, as he embodies the quintessential yes-man with avarice glinting in his eyes. His character, serving as the Bob Cratchit counterpart, is a sycophantic executive who is willing to trample over anyone to ascend the corporate ladder, providing a stark contrast to Bill Murray's miserly protagonist, Frank Cross. Glover's performance is memorably sleazy, yet oddly charismatic, as he glides through scenes with a plastic smile, exemplifying the film's satirical take on the cutthroat nature of the television industry and the hollowness of unchecked ambition during the holiday season. His interactions with Murray are particularly engaging, highlighting Glover's ability to convey a sense of slippery loyalty while maintaining an undercurrent of malevolence that keeps viewers both entertained and slightly on edge.